About The Team

Curator
Shireen Marican (SG)

Shireen Marican is a curator, systems strategist and educator focused on social and environmental equity. She co-creates strategies, exhibitions and research addressing contemporary critical challenges. With a Masters in Curatorial Practices and Museum Studies from Nanyang Technological University, her accolades include the Platform Projects Curatorial Award (2020), Teman Warisan (2022) and GRAZIA Singapore Gamechangers 2025. She has managed over 15 strategic advisory projects and 30 over arts projects, while lecturing at University of the Arts Singapore since 2020.

Creative Producer
Mary Ann Ng (SG)

Mary Ann Ng is a transdisciplinary practitioner at the intersection of art, technology, culture, and design. As Creative Producer and Project Manager at SERIAL CO_, she leads concept development and production for innovative creative technology projects, while also lecturing at LASALLE College of the Arts. Past roles include Research Assistant at NUS Architecture, Curatorial Assistant for the 2021 Architecture Venice Biennale, and Project Manager for the 2022 Art Venice Biennale. She holds a Master of Architecture (RIBA II) from NUS.

Artist
Victoria Hertel (DE)

Victoria Hertel is a Singapore-based, German-Venezuelan artist whose slow-tech installations focus on sensory awareness, perception technology, and ecological entanglements as a way of reconciling current human behaviour with ongoing environmental over-extension. Hertel received her BFA from the University of Barcelona and her MFA from LASALLE Singapore, in partnership with Goldsmiths, University of London. Her work has been featured in exhibitions and research residencies across Europe, America, and Asia.

Engineer
Justin Ong (SG)

Justin Ong is a Singaporean engineer who enjoys the challenge of building solutions to enhance the impact and scale of works. He has contributed to works ranging from wearable technology to immersive, responsive installations, utilising sensors and highly integrated devices to push the boundaries of how technology is used in art. Being from more traditional engineering fields, he also explores how development can be driven by aesthetics and audience impact, rather than quantifiable metrics.